New African Pavilion at the Biennale Art
Jul-25-2007
The Biennial Art blazes with the Sindika Dokolo African Collection of Contemporary Art, from Luanda in the new African pavilion at the Arsenale. Check List Luanda Pop: The first African
pavilion at the Biennial of Venice
reflects the heterogenous nature
of this continent, where so many
different ethnic groups and traditions
coexist.
The exposition, selected by a committee of experts (Meskerem Assegued, Ekow Eshun, Lyle Ashton Harris, Kellie Jones, Bisi Silva, presided by Robert Storr), is a manifesto on the constitution of African identity.
This urges us to rethink the theme of difference, from its roots up to the stereotypes hidden in the idea of ethicality.
The ten artists who are displaying at the exposition clearly testify to the process of the internationalization of art.
The exposition, selected by a committee of experts (Meskerem Assegued, Ekow Eshun, Lyle Ashton Harris, Kellie Jones, Bisi Silva, presided by Robert Storr), is a manifesto on the constitution of African identity.
This urges us to rethink the theme of difference, from its roots up to the stereotypes hidden in the idea of ethicality.
The ten artists who are displaying at the exposition clearly testify to the process of the internationalization of art.
by Carlotta Scarpa
Tr. M.F.
:venews july 2007
«Check List Luanda Pop»
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La Biennale di Venezia è da oltre un secolo una delle
istituzioni culturali più prestigiose al mondo e più all'avanguardia
nella promozione delle nuove tendenze artistiche e nell’organizzazione
di manifestazioni internazionali delle arti contemporanee, secondo un
modello pluridisciplinare che ne caratterizza l'unicità.
In the Biennial designed by Robert Storr, it would be impossible not to perceive the existence of two generic groupings of artists which reflect the peculiar characteristics of contemporary art language...
Think with the senses, Feel with the
mind: art at present. A title such as
this, serving also as a theme, induces
us to think, perhaps with too much
facility, that this is such a wide proposal,
such a totalizing panorama, that
nothing could in any way remain
alien to it.
Among the main novelties at the
52nd International Art Exposition
of the Biennial of Venice, there is
the reopening, after 8 years of absence,
of the Italian Pavilion at Tese
delle Vergine dell'Arsenale.
The core of the exposition at the
Venice Pavilion is a cultural project
promoted by Regione Veneto, the
Province of Venice and the Venice
Municipality. Its aim is to give
back this exposition space to Veneto's
culture, in an international
context, conceived as a meeting
place for ideas, persons, and languages
which encounter each
other beyond the geographical
boundaries of the region.
A great touching-screen, a net-art
project, technology which links up
the users of a site with the physical
space of the Biennial:
Click I hope welcomes the visitors to
the Russian Pavilion and proposes
itself, ingenuously perhaps, as being
able to transform the first person
singular, that is, all of us, at the same
time and in dislocation, into enjoyers
of art/members of a virtual
community/active subjects of hope.
Felix Gonzales-Torres' refined evocative force at the United States of America pavilion of the Venice Biennale...
After the golden lions, Croff certainly deserves a golden medal because, apart from the small problems, he has managed to make of the Venice Biennale the most visited exhibition in Italy.
