Penone and Vezzoli at the Italian Pavilion
Jul-25-2007
Among the main novelties at the
52nd International Art Exposition
of the Biennial of Venice, there is
the reopening, after 8 years of absence,
of the Italian Pavilion at Tese
delle Vergine dell'Arsenale.
The
protagonists are two works conceived
and created for this occasion:
Sculture di linfa by Giuseppe
Penone (born in Garessio, Cuneo,
in 1947) and Democracy by Francesco
Vezzoli (born in Brescia in
1971).
Ida Giannelli, curator of the pavilion, compares two lines of Italian contemporary art which are distant one from the other yet complementary: the suggestive potential of matter and the power of the media.
Ida Giannelli, curator of the pavilion, compares two lines of Italian contemporary art which are distant one from the other yet complementary: the suggestive potential of matter and the power of the media.
by Valeria Romeo
Tr. Maria Fasolo
:venews july 2007
«Sculture di linfa»
Giuseppe Penone
«Democracy»
Francesco Vezzoli
Tese delle Vergini, Arsenale Back
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Il sistema dei Musei Civici Veneziani è costituito da un insieme organico di sedi e collezioni, di enorme importanza e valore artistico e storico, che racchiude i principali musei della città.
La Biennale di Venezia è da oltre un secolo una delle
istituzioni culturali più prestigiose al mondo e più all'avanguardia
nella promozione delle nuove tendenze artistiche e nell’organizzazione
di manifestazioni internazionali delle arti contemporanee, secondo un
modello pluridisciplinare che ne caratterizza l'unicità.
The Biennial Art blazes with the Sindika Dokolo African Collection of Contemporary Art, from Luanda in the new African pavilion at the Arsenale.
In the Biennial designed by Robert Storr, it would be impossible not to perceive the existence of two generic groupings of artists which reflect the peculiar characteristics of contemporary art language...
Think with the senses, Feel with the
mind: art at present. A title such as
this, serving also as a theme, induces
us to think, perhaps with too much
facility, that this is such a wide proposal,
such a totalizing panorama, that
nothing could in any way remain
alien to it.
The core of the exposition at the
Venice Pavilion is a cultural project
promoted by Regione Veneto, the
Province of Venice and the Venice
Municipality. Its aim is to give
back this exposition space to Veneto's
culture, in an international
context, conceived as a meeting
place for ideas, persons, and languages
which encounter each
other beyond the geographical
boundaries of the region.
